![]() Princeton’s water table will be Lin’s sixth and probably the most abstract to date. In a sense, all the water tables map the past in order to confront the future. With Under the Laurentide, completed at Brown University in 2014, Lin continued to explore the movement of water, mapping the landscape buried beneath Narragansett Bay. and a circular table inscribed with names and dates significant to the civil rights movement. Her 1989 Civil Rights Memorial in Montgomery, Alabama, combines a black granite water wall inscribed with the words of Martin Luther King Jr. Lin’s work with what she calls water tables likewise has a long lineage that began with the Women’s Table (1993) at Yale, a cylinder of green granite that chronicles the number of women at the college from 1701 until 1992, when female enrollment first equaled that of men. This intimate work became the first of several variously scaled earthwork pieces-mounds that “curl and wind through rural dairy fields and manicured patrician fields alike,” in the words of Joshua Baize. Inspired by diagrams of fluids in motion and photographs of ocean waves, she was intrigued by the possibility of capturing the motion of water by sculpting its movement in the earth. Lin’s work with the earth dates to 1995, when she completed Wave Field at the University of Michigan. ![]() I am always trying to find a balance between these opposing forces.” ![]() Somewhere between science and art, art and architecture, public and private, east and west. Lin herself notes: “I feel I exist on the boundaries. The landscape is one of Lin’s most abiding interests across a career spanning thirty-five years, merging Eastern and Western interests and influences, and defying simple characterization. Like her earthwork pieces elsewhere, the work Lin is making for Princeton invites viewers to reconsider nature and the environment at a time when it seems essential to do so. But ultimately all of it-including what she terms her “last memorial,” the digital project investigating species loss entitled What Is Missing?-asks how we experience and relate to nature and the natural world, including its physical topographies.Ĭatapulted to fame while a senior at Yale University with the winning design for the Vietnam Veterans Memorial in Washington, DC-often characterized as a gash in a gentle landscape-Lin interprets the natural world through science, history, politics, and culture. Lin typically draws inspiration for her work as a designer, architect, and artist from culturally sprawling sources such as traditional Japanese landscape gardens, Native American effigy mounds, and earthworks of the 1960s and ’70s. A folded earth piece, to be installed this spring, and a water table, to be installed in the fall, will be sited near the new Lewis Arts Complex on the western edge of the Princeton campus. With her environmental works Storm King Wavefield, Eleven-Minute Line (Sweden), and Pin RiverYangtze (Beijing), Lin maintains a balance between art and architecture, drawing inspiration from culturally diverse sources.įrom the moment she entered the national spotlight with her design for the Vietnam Memorial, Lin has been proposing ways of thinking and imagining that resist categories, genres, and borders.Two interrelated works of art by Maya Lin will be the latest additions to Princeton University’s campus art collection. This visually rich volume presents 50 projects from the last three decades that demonstrate the scope of Lins creative process, featuring her own sketches and drawings and linked by her ideal of making a place for individuals within the landscape. Her winning proposal, a V-shaped wall of black stone etched with the names of 58,000 dead soldiers, has since become the most visited memorial in the nations capital. As an architecture student at Yale, Lin designed the Vietnam Veterans Memorial as a class project, entering it in the largest design competition in American history. ![]() ?Maya Lin is one of the most important public artists of this century. The first comprehensive monograph on the acclaimed American artist and architect, known for her environmental works and memorials that distill a tranquil yet texturally rich minimalism.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |